Showing posts with label theory. Show all posts
Showing posts with label theory. Show all posts

Wednesday, May 6, 2009

MANGA REVIEW - How Not to Draw Manga, by Christ Reid and John Katz


As much as we love the big-eyed, small-mouthed citizens of anime/manga-land, it needs to be said that most, if not all, of what otaku like us read and watch is…well, mildly ridiculous. Deny it if you want, but you have to admit that your love for bishonen, mechs, and unlikely harem comedy (guilty as charged!) probably isn’t something you mention freely in mixed company, much less to members of the opposite sex.

This is why I’m delighted to have come across How Not to Draw Manga, an lovingly tongue-in-cheek OEL guide to the myriad cliché’s, stereotypes, and hackneyed plots that we’ve come to know and love. Chris Reid and John Katz come in with guns a’blazin’, taking on nearly every aspect of manga – the fact that there’s basically only 6 characters in manga (try matching your favorite characters to the formula – it’s truer than you know!); the inevitable fanservice, whether it be the moe characters (glasses, cat ears, etc) or just the dozens of ways to include a panty-shot into even the slowest story; and the obligatory “chibi”/adorable mutant animal sidekick. They walk you through all the clichés of character, setting, and genre, picking and choosing among them to create a frighteningly decent samurai/sorcery mini-manga at the end.

If I had a complaint about this work, it’s that it needs to be longer and in more detail – Reid and Katz do a fine job skewering manga, but they barely skim the surface of manga ridiculousness; I’d have loved to see them take on school comedy, gal games, hentai, and the otaku lifestyle itself.

Although the satire is pretty sharp, it’s clear that they absolutely love manga – “panties, robots, and brooding villains” alike - and just want to poke some much-needed fun at the art-form’s tired cliché’s. Highly recommended for aspiring mangaka, newbie otaku, and grizzled old dorks (like yours truly) too.

Friday, March 21, 2008

Anime/Manga Term #457: Tsundere

This is a basic definition of the ever-popular tsundere character type that I created as a handout for my Anime and Manga Clubs. Hardcore readers are probably more than familiar with tsunderes and very well might have their own (Naru from Love Hina and Eri from School Rumble are my two current faves, but I'll always have a soft spot in my heart for Lisa Hayes from the classic Robotech/Macross series...), but for those of you not familiar with this classic (or just hackneyed) character type, I hope you can benefit from my definition:

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A combination of the Japanese words tsuntsun (aloof/standoffish) and deredere (in love/lovestruck), tsundere refers to a character that is initially unfriendly to the main character, but becomes romantically attracted to them over time. It also can mean a character that is outwardly mean to the main character while harboring a secret crush on them. So, tsundere can be both a process (from disliking someone to being in love with them) and a personality type (being mean to - yet still liking - someone). Tsunderes are almost always female, although there are male tsunderes that appear in shojo (manga/anime for girls).

One of the most classic tsunderes is Naru Narusegawa* from Love Hina. Naru can’t help but lose her temper at main character Keitaro’s klutziness and stupidity, but as Keitaro gets more responsible and mature, she begins to fall in love with him - even though she has a hard time admitting it to herself. Sakura from Naruto is also sort of a tsundere; she thinks Naruto is a total loser, but as Naruto gets more skillful, she starts to respect him. Two more tsunderes you may have seen are Nagi from Hayate the Combat Butler (she crushes hard on Hayate, yet puts him through rigourous tasks when he makes her angry), and Miss Chidore from Full Metal Panic (who clearly likes the clueless tough guy Sousuke, but can’t help getting angry at his tendency to solve simple problems through firepower).

The tsundere is a popular character type in Japan, so keep an eye open for her in the shows you watch, mangas you read, and video games you play!


* In Japanese, Naru means “to become” and Narusegawa means “raging river”, so her name is a joke about her bad temper…..

Thursday, December 13, 2007

2 REVIEWS: Densha Otoko: The Story of the Train Man Who Fell in Love With A Girl, Vol 1 + TRAIN_MAN:Densha Otaku, Vol 1



Today's victims are:


Densha Otoko: The Story of the Train Man Who Fell in Love With A Girl, Vol 1

-Hitorio Nakano and Wataru Watanabe

and:

Train_Man: Densha Ototko, Vol 1

- Hidenori Hoti


Those “in the know” (or those “without a life”) are probably familiar with the “train man” story that’s been popular in Japan for the last few years. For those of you who are not, the (apparently true) story is thus: while riding a Tokyo train, an introverted comic book fanboy finds the courage to stand up to a rowdy drunk that’s been bothering the female passengers – one very pretty young woman in particular, who sends him a pair of teacups as a token of thanks. Thinking that this is the end of their connection, he mentions this to some dudes on a chatboard for lonely single guys – but when they find out the teacups are actually high-end Hermes china, it’s clear that she’s romantically interested in him! Totally confused and social inept, “Train Man” must turn to his online buddies for advice on how to woo “Hermes-san” without letting his awkwardness scare her away.


This story has apparently struck a chord with the Japanese, who’ve turned it into a movie, TV show, and several different mangas – thus the comparison between the two titles. Nakano and Wantanabe’s version is a little more cartoonish and “slap-sticky” than Hoti, who favored a more mature and laid back approach, which I even found reflected in their art – Nakano and Wantanabe rely on the crisp, youthful modern style, whereas Hoti’s art has a more classic manga feel (think of Love Hina versus Maison Ikkoku) Likewise, Nakano and Wantanabe spend a lot of time focusing on the reactions and thoughts of Train_Man’s online peers/fans; Hori streamlines the narrative somewhat by not emphasizing Train-Man’s online conversations as much.


I could easily say that N + W’s work is meant for teens, and H’s for more casual/adult readers, but I’m just gonna say that the obvious choice is to read them both – not just to see what style works for you, but as an exercise in comparing art and narrative styles in Manga.


For those of you interested in learning more about the "real" story behind these works, I've included the link to a Wikipedia article: