Naruto, Haruhi, and Some Shameless Self-Promotion

What up anidorks? Yes, I’ve been pretty lax with updates as of late. Several work and personal projects have been eating up most of my work and personal time, so the free time to watch all 160+ episodes of Gintama* has been in short supply.

So what the hell else is going on here at Otaku Public Library, dare you ask? Well, I finally gave into peer pressure and began a serious, read-every-volume-I-can effort to familiarize myself with the Manga Series That Ate America, i.e. Naruto…and I’ll be gol-danged if it isn’t nearly as awesome as all the kiddies say. Granted, I still prefer the darker and funnier Bleach as a shonen action series, but I was honestly taken aback by how well-plotted and well-developed Naruto is.

Aside from that, the only other thing I’ve been seriously following has been Season 2 of The Melancholy of Haruhi Suzumiya. Yes, I did rag on MOHS as being a bit trite and gimmicky when I first saw/reviewed it, but my feelings have softened – and I also can’t deny it’s ruminations on the nature of reality and unreality is probably one of the more thoughtful and ambitious storylines out there. Is it still a little cheesy, forced, and a little too reliant on moe? Well, yes, but the deeper themes still shine through – and isn’t moe what hardcore Haruri-head (Melancholiac?) want anyway?

*****

On a more professional note, I have had the extreme good fortune to be asked to speak at the two New Jersey State Library Graphic Novel Collection Development workshops on August 25th and 28th. Comic publishers, school librarians, and public librarians like myself will be on hand to provide a comprehensive overview on how to select graphic novels for public and school library collections; I’ll be covering “Manga Collection for Complete Newbies”. If you’re a New Jersey-area librarian and want some quality advice on creating a dang awesome graphic novel/manga collection, I do hope you’ll join us.

Oh, and if you are attending America Libraries Association’s Annual Convention in Chicago this weekend, and are really, really dying to hear my views on cooking manga, harem comedy, and the blessed lack of tentacles in modern anime, then please stop by the ALA Open Gaming Night on Friday, 7pm – 10pm, at the Hilton Chicago. I’ll be the one looking like a 1970’s Scottish soccer hooligan (buzzcut, huge black glasses, red beard, permanently dour expression).

Toodles, y’all…


* Seriously, check Gintama out. I don’t know if I could watch all 4 seasons, but it’s still a sly, cynical, and satirical sci-fi/samurai situation comedy that’s a cut above the usual dross.

Manga Review - Oh My Goddess! Colors by Kosuke Fujishima

What up anidorks? Long time no post from the old D-man here. Unfortunately, budget shortfalls at work have forced me to focus less on otaku-dom and more on the public library aspect of the job. Thus, I haven’t really had all that much to read/watch anything new or of enough interest to post about.

That having been said....I did recently come across a copy of Oh My Goddess! Colors, a large-sized retrospective of Kosuke Fujishima’s evergreen “magical girlfriend” manga/anime. Starting off with a lighted-hearted/mildly sarcastic intro (“devoid of any actual developments, it’s a sort of romance that sort of wanders aimlessly through 30 plus volumes, like a derelict.”…I couldn’t have put it better myself), OMG! Colors presents a detailed rundown on nearly every element of the series. Belldandy, Urd, Skuld, and Peorth all get individual character summaries, and each are the focus of a representative chapter that has been re-mastered in gorgeous watercolors. Throw in an exhaustive lexicon of OMG! terminology, ruminations on the origins of the goddesses and the physics of their world, exhaustive chapter summaries, in-jokes and translation notes, and a gallery and tech specs of the numerous vehicles owned by the characters and you’ve got a must-have for any OMG! obsessive.

Personally, I’ve been finding OMG! a little repetitive and dated as of late, but reading this reminded me of it’s huge influence on American Otaku, myself included; in fact, Fred Gallagher, creator of the awesome Megatokyo OEL manga, chimes in the series’ influence on him in a short afterword. OMG! detractors may continue to scratch their heads over this series’ unabated popularity, but OMG! Colors expertly captures all that’s good about it – its alluring character design, lush artwork, silly humor, and its ever-unrequited PG-rated romance.

MANGA REVIEW - How Not to Draw Manga, by Christ Reid and John Katz

As much as we love the big-eyed, small-mouthed citizens of anime/manga-land, it needs to be said that most, if not all, of what otaku like us read and watch is…well, mildly ridiculous. Deny it if you want, but you have to admit that your love for bishonen, mechs, and unlikely harem comedy (guilty as charged!) probably isn’t something you mention freely in mixed company, much less to members of the opposite sex.

This is why I’m delighted to have come across How Not to Draw Manga, an lovingly tongue-in-cheek OEL guide to the myriad cliché’s, stereotypes, and hackneyed plots that we’ve come to know and love. Chris Reid and John Katz come in with guns a’blazin’, taking on nearly every aspect of manga – the fact that there’s basically only 6 characters in manga (try matching your favorite characters to the formula – it’s truer than you know!); the inevitable fanservice, whether it be the moe characters (glasses, cat ears, etc) or just the dozens of ways to include a panty-shot into even the slowest story; and the obligatory “chibi”/adorable mutant animal sidekick. They walk you through all the clichés of character, setting, and genre, picking and choosing among them to create a frighteningly decent samurai/sorcery mini-manga at the end.

If I had a complaint about this work, it’s that it needs to be longer and in more detail – Reid and Katz do a fine job skewering manga, but they barely skim the surface of manga ridiculousness; I’d have loved to see them take on school comedy, gal games, hentai, and the otaku lifestyle itself.

Although the satire is pretty sharp, it’s clear that they absolutely love manga – “panties, robots, and brooding villains” alike - and just want to poke some much-needed fun at the art-form’s tired cliché’s. Highly recommended for aspiring mangaka, newbie otaku, and grizzled old dorks (like yours truly) too.

MANGA REVIEW – Oishinbo A la Carte: Japanese Cuisine and Oishinbo A la Carte: Sake, Story by Kariya Testu/Art by Hanasaki Akira

What up anidorks? Today I’m taking a look at a series that I’ve long desired to read, but haven’t been able due to dearth of Haute Cuisine-oriented manga scanlations on onemanga.com – Oishinbo (aka “The Gourmet” in Japanese).

Although lazy and ill-tempered, journalist Yamaoka Shiro of the Tozai News nonetheless possesses one of the most refined palates in Japan – a trait he inherited from his cold, overbearing father, the noted gourmand and artist Kaiban Yuzan. When Yamaoka’s head editor decides to celebrate the paper’s 100th anniversary by publishing the “Ulitmate Menu” – a selection of the finest dishes Japan has to offer – lackadaisical Yamaoka is reluctantly pressed into creating the menu. When he finds out that his father has teamed up with a rival paper to create their own “Supreme Menu”, Yamaoka and his gal-pal/writing partner Kurita Yuko must go head to head (and taste-bud to taste-bud) with Kaiban to find the finest foods in all of Japan!

Rather than publish the whole run (26 years and still going!), Viz has taken the approach of collecting specific chapters from the series dealing with a particular element of Japanese food (i.e. Sake, etc), and creating an “a la Carte” collection of chapters in single volumes. For readers not entirely familiar with the nuances of all-rice sake and the correct way to filet seabream, this offers an easy introduction to Japan’s rich and fascinating food traditions. Casual/lazy reviewers will inevitably compared Oishinbo to Tampopo or Iron Chef, simply because it looks at the unique food culture of Japan in relaxed, easy-to-approach manner. That’s a shame really, because Oishinbo is a work that deserves recognition for its own unique perspective; although there is the occasional plot twist, character development, and cliffhanger endings, it’s less of a narrative-oriented manga and far more of an overview of Japanese cuisine in graphic novel form. Art buffs might find the character design a little rough and dated at times, but it’s obvious that artist Hanasaki is instead focusing on the main element of the series – the food, loving depicted and almost leaping off the page.

It should be said that Oishinbo is probably best for adult readers, but not because of any thematic elements: aside from heated arguments over the best way to serve champagne or the time it takes to learn the techniques of sashimi, the violence and sex is absolutely non-extant. There’s a good chance the series will probably go over the head of most teen manga readers (and to be fair, the numerous adults that think fine dining means Applebee’s), but if you have interest in culinary history or want a unique look at Japanese culture, I can’t recommend Oishinbo enough.

UPDATE: Bleach SOULs/Anime-themed Video Games/The End of Anime Insider

What up anidorks? I’m just checking in today, so no reviews. In all honesty, I haven’t really come across anything worthy of a review lately*, so rather than waste my time and yours enthusing about/savaging some nameless shonen action series, I’m just gonna ruminate on a few topics…

First off, devoted Bleach fans should do themselves a favor and pick up the Bleach SOULs. Official Character Book at their earliest convenience. It’s a great overview of the series present storyline up to Vol 21, as well as containing biographical info for all 80+ characters. Throw in an interview with Tite Kubo, glossary of terms, and a bunch of bonus manga and you’ve pretty much got a “must have” for Bleach heads (along with Kon-patterned underpants).

Secondly, the latest Anime Insider magazine is devoted a whole issue to “Video Games for Otakus”, a subject near and dear to my heart. In fact, they do a fine job of tabulating the “otaku quotient” (i.e. number of anime/Japanese culture – specific titles) for the current console systems. I’ve been struggling to find the system with the most otaku-friendly titles, and I guess it’s no surprise that (spoiler) the Nintendo DS wins out there. I’d suggest hot-footing down to the local newsstand to pick up a copy – not just because of the content, but because Anime Insider will be stopping publication as of this issue, #67. Another one bites the dust, sadly….

And speaking of anime-friendly video games, I’m dying to see a North American version of Sunday X Magazine: Taisen Action, Trigger Heart, a side-scrolling 2D fighter starring the characters from Japanese manga magazines Shonen Sunday and Shonen Magazine. The cast includes characters from Negima (awesome!), Fairy Tale, Air Gear, Cromartie High School, Inu-Yasha, Hayate the Combat Butler, and Kekkashi, as well as several other Japan-only series. If you simply must have a copy, its $60 and in Japanese…but I doubt that’ll stop some of you.

In any event, it’s a lovely spring day outside….and naturally, I plan to spend it indoors watching the original Tenchi Muyo OVA and playing Suikoden III (har har).

* with the notable exception of the awesomely funny (and disturbing gory) “magical girlfriend” parody series Bokusatsu Tenshi Dokuro-chan, aka “Club-To-Death Angel Dokuro-chan”.

I forgot to mention....

...that Del Ray released Sayonara, Zetsubou-Sensei V.1: The Power of Negative Thinking on February 24th. You can get it from the usual retailers, and I highly, highly recommend this a purchase for any forward thinking manga or graphic novel fan. Joyce Aurino and Del Ray have done an excellent job of translating and adapting this Japanese Pop-Culture-centric series for western readers; the print version is a definite improvement over the fan-scans I’ve come across. Feel free to check out my gushing review from last June if the mood strikes you....

Manga/Anime Review - Princess Resurrection

What up anidorks? I’ve decided to spare you from the usual comedy series and instead take a look at supernatural action series Princess Resurrection.

In thanks for his attempt to save her from a fatal accident, Hime – daughter of the King of Monsters – has granted middle schooler Hiro the gift of eternal life, but on two conditions: First, Hiro must partake of Hime’s blood every few days lest he dies; and secondly, Hiro must remain her servant/bodyguard for eternity as payment. It’s apparent that Hime needs all the help she can get, as her numerous brothers and sisters are intent on killing her and each other to achieve the royal throne. Hime's cohorts - half-breed werewolf Liza, opportunistic vampire Reiki, and Hime’s robot servant Flandre - all have the power to fight of the rival siblings and vengeful monsters out for Hime’s blood, but what can young Hiro do to help protect the life of his new master?

Supernatural-based anime and manga has seen a renaissance as of late, and PR is a solid offering in this genre. Series creator Yasunori Mitsunaga deviates from the popular “vengeful spirits” theme common in contemporary anime and manga*, and instead draws on the “classic horror” of 1950’s drive-ins (ala vampires, werewolves, zombies, and creatures from the Black Lagoon…can the Blob be far behind?) to power this series. Although I do enjoy the more subtle and elegant vibe of traditional Japanese horror, the blood-and-guts, monster-on-monster action of PR is definitely appealing for those of us who grew up on Boris Karloff and not Lufcadio Hearn. Hiro’s persistent need for Hime’s blood adds a nice bit of nasty (and a subtle erotic undertone) to this relatively straight-forward and action based shonen manga series.

That having been said, those of you who are able to view the anime series via ADV or the Anime Network will notice how the series has been “cleaned up”, for lack of a better word – rather than sup on Hime’s blood, Hiro instead gets the gift of Hime’s “Life Flame” (yeesh). It’s a shame that this integral plot element was modified in such a way, but that’s show biz I guess. Along with the overall lower level of gore, I find that the anime also removes a fair amount of gothic creepiness that Mitsunaga was able to impart via his artwork.

Still, the anime is a pleasant enough diversion (particularly after dark!) and the manga series deserves a read from horror and action-lovers alike.

*xxxHolic and Mushi-shi, for example.